It was a kind of family secret,
the paintings without names
Her modesty much stronger than her ego
Explosions of hues and brightness and joy
Capturing light as the mother of reflections on water,
and the spaces between shadows and curves
that spoke through the language of her brushes
It was how she talked to our hearts
when words, at times,
seemed the more difficult path for love
She stopped painting years before she left us,
but she wanted me to have the painting
of the flowers in the vase
A bouquet I gave her long ago for Mother’s Day
It hangs now in our bedroom,
near an eastward facing window,
where her gift assures me
as I turn out the light on another day
some of her will still be here
when I wake tomorrow
Comments
hello Michael Anthony,
could I suggest that you use a descriptive word in your title, between the words "The" and "Painter". for example: "The Soul Painter". I'm not suggesting that you use my example, but find your own word. this would make your piece of poetry more intriguing. the body of the poem is ripe with information and flows smoothly. the last verse concludes it with much feeling. good work!
always, Cat
Thanks for your comments CW!
Thanks for your comments CW! I'll give the title some thought, but kind of attached to the brevity of it, much like the poem itself. My titles tend to be a bit pragmatic, or used as a juxtaposition to the real message of the poem, if that makes sense.
Best
Hmmmm..... Beginnings......
I enjoyed this as is but think the very beginning might be set up better to enhance the narrative nature....Something like :
As I lay near sleep at night
In the divide between wake and sleep
my thoughts drift to
a kind of family secret
those paintings without names
Perhaps you think this or something similar might be a better bait ?
Thanks Scrib! Food for
Thanks Scrib! Food for thought in regard to the first stanza. Alternative edits in process...
Cheers
You have a narrative poem
Interesting story of love and loss and a priceless reminder.
I was wondering if it would be stronger if you changed the stanzas round a little and cut a few extraneous words.
Just a suggestion feel free to ignore.
This has deep love and enough left to the readers imagination to make it an interesting read.
Sam
The Painter (Narrative Poetry Workshop)
The Painter (Narrative Poetry Workshop)
Submitted by Michael Anthony on Sat, 2021-05-01 15:22
Explosions of hues, brightness and joy
capture light as the mother of reflections on water,
the spaces between shadows and curves
that spoke through the language of her brushes
It was how she talked to our hearts
when words,
seemed the more difficult path for love
It was a kind of family secret,
the paintings without names
her modesty much stronger than her ego
She stopped painting years before she left us,
but she wanted me to have the painting.
The flowers in the vase
a bouquet I gave her for a Mother’s Day
It hangs now in our bedroom,
near an eastward facing window,
where her gift assures me
when I turn out the light on another day
That some of her will still be here
when I wake tomorrow
Hi Sam! I like the idea of
Hi Sam! I like the idea of looking at this piece with different arrangements of the stanzas - good stuff. I'll be editing an alternative version for my poetry journal - thank you!
Not crazy about the last stanza from your example with only 2 lines though, so I'll have to work on that.
Best
scribbler...
gave you super advice, with a beginning like that, your poem will be much more impactful.
P.S I love poem about artists.
Short for a narritive piece, excellent nonetheless
I really like “the turn” towards the end. Its sometimes hard to get that in.
I’sorta expect a narrative piece to much longer, 10-12 pages, however. That’s just me. I think of “narrative” as being synonymous with “epic”. Which is really the longer, yes?
Nice work!
Thank you Ray! Appreciate
Thank you Ray! Appreciate your time and comments. I'm going to agree to disagree with you about the length of a narrative poem, as I am not aware of specific guidelines in terms of length for this form. I've seen many that would qualify as narrative poetry that are even shorter than mine. Let's go with a difference in styles and preferences, LOL!
I'll be digging into your arguably "Epic" workshop tale soon. Looked VERY interesting when I glanced at it over the weekend, but I want to take more time to really absorb your poetic tale.
Cheers
A moving piece
... filled with warmth and fond memories.
I too feel narratives are usually longer however I find this one is heartfelt and says what you wanted to say.
Sharonlee Imageweaver
Thanks Sharonlee! I agree
Thanks Sharonlee! I agree that it is common for narrative poems to be longer, but there are many examples of shorter poems that fit the criteria. I have been very influenced by haiku and other shorter poetry forms and all that they can convey with so few words, so I typically strive to achieve this kind of brevity in many of my poems (for better or worse, LOL!).
Here's a humorous example of a short poem that checks all the typical boxes for a narrative poem by Shel Silverstein. It has a narrator, tells a story, includes a beginning, middle, and end, and has a resolution:
Snowball
I made myself a snowball
As perfect as could be.
I thought I'd keep it as a pet
And let it sleep with me.
I made it some pajamas
And a pillow for its head.
Then last night it ran away,
But first it wet the bed.
Perfect
I have always admired Silverstein, he has a clever way with words!