A lot of folks who don't offer critique (who aren't doing so for selfish reasons) don't offer suggestions because they don't feel qualified. They don't have the terminology, the technical skills, the poetic know-how, or the formal education overall.
This workshop is intended to serve the needs of readers and writers who want a foundation for suggesting revisions and giving writing advice.
A new area of focus will be shared every week for six weeks, but participants will be able to follow the workshop at their own pace beyond the six weeks.
Leader: swamp-witch
Moderator(s): weirdelf
Objectives:
By following my critique blogs and some additional scholarship, together we will explore different writing concerns for poetry. These writing concerns include content, flow, word efficiency, imagery, literary devices, syntax, and more. During this workshop we will learn how to identify, analyze, and discuss these features of writing for the benefit of our own poetry and the poetry of others.
This is not a workshop for poets to workshop any of their own writing; it is an in-depth introduction to critique where we will explore “anonymous” poetry.
Level of expertise: Open to all
Subject matter: Critique and Understanding Writing Concerns
To join this workshop, please express your interest in being a participant in the comment section below. Thank you!
This workshop is closed.
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About This Poem
Editing Stage:
Editing - rough draft
About the Author
Region, Country: Sydney, Australia, AUS
Favorite Poets: The Romantics
This user supports Neopoet so it can be free to all
TRISENGRAF #2 (Description-REVISED!)
NOTE 1: The dashes are used only to show indents that don't show up in Facebook—at least I haven't figured out how to make them happen. I discovered that W.C. Williams, in his "triversens" often eschewed capitals and punctuation and usually "stairstepped the verse chunks.
NOTE 2: The revisions happened due to my "standard" revision technique of looking at the articles "the" and "a" or "an" and seeing if richer modifiers would improve the poem--they almost always do):
The following is an example of my invented "form" for free verse: THE TRISENGRAF (3-Sentence Paragraph). It is formed by three of W. C. Williams' TRIVERSENs (3-verse-sentences). The example below shows the frequent Williams tactic of eschewing capitals and most punctuation and "stairstepping" the verses.
the sun rises late
over the purple mountains,
flaming the snow peaks.
in long, deep shadows—
the winds still waft cold
through the valley's penumbra.
azure-bright sky is conquered
by a lone eagle
claiming his realm.
TRISENGRAF
NOTE: The dashes are used only to show indents that don't show up in Facebook—at least I haven't figured out how to make them happen. I discovered that W.C. Williams, in his "triversens" often eschewed capitals and punctuation and usually "stairstepped the verse chunks.
The following is an example of my invented "form" for free verse: THE TRISENGRAF (3-Sentence Paragraph). It is formed by three of W. C. Williams' TRIVERSENs (3-verse-sentences). The example below shows the frequent Williams tactic of eschewing capitals and most punctuation and "stairstepping" the verses.
the sun rises late
-----over the purple mountains,
----------flaming the snow peaks.
in long, deep shadows—
-----the winds still waft cold
----------through the valley's penumbra.
azure-bright sky is conquered
-----by a lone eagle
----------claiming his realm.
TRISENGRAF: A three-sentence paragraph. My invented form. It is a section, stanza, or whole poem comprised of three of W.C. Williams' Triversens (3-verse sentences).
NOTE The hyphens are used only to show indents that don't show up in the posting otherwise. W.C. Williams, in his "triversens" often eschewed capitals and punctuation and usually "stairstepped" the verse chunks.
the sun rises late
---over the purple mountains,
------flaming the snow peaks.
in long, deep shadows—
---the winds still waft cold
------through the valley's penumbra.
azure-bright sky is conquered
---by a lone eagle
------claiming his realm.
Comments
A New "Free Verse" FORM - The Trisengraf (3-sentence-paragraph)
TRISENGRAF #2 (Description-REVISED!)
NOTE 1: The dashes are used only to show indents that don't show up in Facebook—at least I haven't figured out how to make them happen. I discovered that W.C. Williams, in his "triversens" often eschewed capitals and punctuation and usually "stairstepped the verse chunks.
NOTE 2: The revisions happened due to my "standard" revision technique of looking at the articles "the" and "a" or "an" and seeing if richer modifiers would improve the poem--they almost always do):
The following is an example of my invented "form" for free verse: THE TRISENGRAF (3-Sentence Paragraph). It is formed by three of W. C. Williams' TRIVERSENs (3-verse-sentences). The example below shows the frequent Williams tactic of eschewing capitals and most punctuation and "stairstepping" the verses.
the sun rises late
over the purple mountains,
flaming the snow peaks.
in long, deep shadows—
the winds still waft cold
through the valley's penumbra.
azure-bright sky is conquered
by a lone eagle
claiming his realm.
A New "Free Verse" FORM - The Trisengraf (3-sentence-paragraph)
TRISENGRAF
NOTE: The dashes are used only to show indents that don't show up in Facebook—at least I haven't figured out how to make them happen. I discovered that W.C. Williams, in his "triversens" often eschewed capitals and punctuation and usually "stairstepped the verse chunks.
The following is an example of my invented "form" for free verse: THE TRISENGRAF (3-Sentence Paragraph). It is formed by three of W. C. Williams' TRIVERSENs (3-verse-sentences). The example below shows the frequent Williams tactic of eschewing capitals and most punctuation and "stairstepping" the verses.
the sun rises late
-----over the purple mountains,
----------flaming the snow peaks.
in long, deep shadows—
-----the winds still waft cold
----------through the valley's penumbra.
azure-bright sky is conquered
-----by a lone eagle
----------claiming his realm.
A Newly-Invented "Free Verse" FORM: The TRISENGRAF
TRISENGRAF: A three-sentence paragraph. My invented form. It is a section, stanza, or whole poem comprised of three of W.C. Williams' Triversens (3-verse sentences).
NOTE The hyphens are used only to show indents that don't show up in the posting otherwise. W.C. Williams, in his "triversens" often eschewed capitals and punctuation and usually "stairstepped" the verse chunks.
the sun rises late
---over the purple mountains,
------flaming the snow peaks.
in long, deep shadows—
---the winds still waft cold
------through the valley's penumbra.
azure-bright sky is conquered
---by a lone eagle
------claiming his realm.
Frank, post this somewhere else
I was just testing submissions to the workshop were working.
What did you think it was?
Try posting it as a blog.