Facing Limitations

Khalid. I was waiting you to submit something for the workshop when you surprised me with this. I am sure all will like it. I agree it's only a phase you're going through. I suggest that you submit it to the workshop by choosing the shop's name from the Workshop window and choose the "Complete poem-Start to Finish." , unless you're preparing something else for the workshop.

A small typo Line 5 what's the right word{s}

you have depicted frustration of encountering what is called a Writer's Block...I believe at some point or another everyone encounters it...me included...in fact you have written much better here than me...

what i liked about this is the concluding stanza which expresses your joy at finding a thread to build your poetry by not giving up but through a persuasive effort...

I can be the caterpillar turning into a butterfly,
a new version of me with colourful wings
The limitations i am facing today
is just another mountain in my life.
Facing it will not be easy
but I know in time I will find
all these struggles will be worthwhile

yes Adil...all these efforts will surely be worth while and we will like to read more from you...

Everyone has nice things to say about the poem, so I'm going be critical (that is my job).
The subject is an old one and a good one. You arranged it well with an exposition, a complication, a climax and a resolution (please see the main thread concerning these things... it will help you to understand what you did well and why the poem worked in that sense).
Proofread please.
In the first stanza "still" is missing its "t". In the next "can't" needs an apostrophe. This is not nit picking. I would very much like you to never offer anything that is not exactly what you intend it to be. If you misspell a word it must be because you wanted to for effect and not because you missed it. This is important for any writer, but critical for a poet because we will often abuse language to purpose.
Next is meter. I don't know what you understand of metric organization, but I did not care for the mish mash of meters here. It had the effect of making it sound like prose. Even verso libre (free verse) requires a consistent meter to sound elegant. Without meter we simply run on at the mouth. The subject is good, but the delivery needs works.
How much do you understand about poetic meter? If you are interested Rula and I would love to help. It is why we are here.

This is / get- ting / no- where (This line is Trochaic Trimeter, meaning each foot has two syllables with the first stressed or accented while the second is not. Trimeter means there are three Trochaic feet in the verse).

my mind / is still blank (your first foot is Iambic, but your second is Anapest. Those two meters are often paired, so don't panic. The length is Dimeter or two poetic feet).

don't know / what to / write (The bold type signifies the accented syllable. This is Trochaic Trimeter, the accent is on the first syllable, the opposite of Iamb. The last syllable is alone [write] which makes this line catalectic [with a hanging foot]).

I'm stuck! (This is a spondee, two accented syllables).

what's the / right word? (A Trochee and an Iamb).

how to / de- scribe?

Do you see the pattern or lack thereof? Your meter is inconsistent and it causes the poem to read a bit like prose instead of poetry. If you want ongoing help with this I am at your disposal. 

Reworking a poem from start to finish that has an inconsistent meter seldom works, but here is an example written in Trochee which is what your first line is in.

"This is / get- ting / no- where,

mind is / still a / blank slate. (I don't like this. "blank slate" is rather Phyrric, meaning two unaccented syllabes).

Don't know / what to / write yet.

I'm stuck! (There is nothing wrong here. It is an exclamation and it works).

What's the / word that's / right now?

How do / I de- / scribe it?

All I have done is rewrite it in Trochee, so it moves better. It is not necessarily good. The rhythm is even and that is all.

The next piece of the workshop is to find make a list of harsh words and gentle words in your poem, I have had a small go at it for you to see maybe some of mine are not correct but this is just to show you what is needed:-
22 lines with a harsh output where the writer is not happy
To me these words are "Cacophonous words "

blank getting nowhere stuck
tension limitations staring
break Need Poor Wait
minute can't pity terrible
self-doubting

Then 11 lines that contain "Euphonious words."
Words which you can find, that are more gentle.
Not sure if there is a balance needed for the works.

You have a go at some other works and see what you come up with, Take care out there, Yours Ian.T

Remember that this is a subjective art. What is lovely to one poet is ugly to another. It is of course easier to aim for one or the other in a new poem, but first we must recognize that some sounds are indeed prettier than others.

My reading.
Please forgive faults and errors,
I'm trying to do a reading for everyone in the workshop.
http://vocaroo.com/i/s0u1cNIdsIor

... you're blowing me away. Also, if I didn't know better I would say you are Australian.