MOVING TARGET: VERSION 2
My mind races
at the speed of light
my body can’t keep up
and I’m left behind.
I push the day
thrtough a heavy
mist of grey
in Pain’s loneliness.
movements fast or slow
I hide in continual motion
dancing around myself
before the terror electric white
strikes
and tells me the things
I don’t want to know.
VERSION 1
MOVING TARGET
My mind races
at the speed of light
my body can’t keep up.
I’m left behind.
I push the day
in a heavy mist of grey
of Pain’s slow.
I do and I go
I run
but the terror
like sudden electricity
electric white
kills as it strikes..
Joe
I always have said and still do :- to change one word of a poem is to write a new one they should always be individual and separate, Yours Ian.T
hi
Depends on how one defines rewrite......damn I'm turning into Bill Clinton lmao. Sometimes a rewrite can be so extensive as to create a new poem but often they just add clarity as you did with this one. So I guess my answer is about as clear as mud................stan
I tend to feel as Beau does.
I tend to feel as Beau does. And if you do make chsnges, it generally means you were not happy with the original. VERSION 2 says a lt more.
Thanks, folks
joe
Remember the baby and the bathwater.
I have only seen your poems improve with revision, whether a result of feedback or your own considerations.
I don't like either version because they are still part of the negative death trip you indulge in so often.
Yes. I agree on both points.
Yes. I agree on both points. I think strcture-wise second is better.
thanks
Yet, is it really about death
Yet, is it really about death, or survival in life?
Survival in life
My readings and understanding seem to be getting shallower. I am probably as sick of apologising as others are of hearing my apologies. I struggle, I try, I fail, sometimes I succeed, but I won't give up.
Becaus you are a survivor.
Becaus you are a survivor. And why apologize for your critiques. They are as valid as anyone else's perceptions. And you gife us your time to read, re-read an danalyse.
jor
thanks Joe,
much appreciated.
•"Listen carefully to first
•"Listen carefully to first criticisms of your work. Note carefully just what it is about your work that the critics don't like - then cultivate it. That's the part of your work that's individual and worth keeping", Jean Cocteau